georgia spiropoulos
 
 
 
 
 
We should get accustomed to the idea that our identity is going to change on contact with the Other.
E. Glissant

2021 November 25
“EROR (The Pianist): The work as a laboratory of practices”
"Political Ontologies of Music: Rethinking the Relationship between Music and Politics in the Twenty-First Century (ONTOMUSIC)"
Institute of Musicology and Walter Benjamin Kolleg, University of Bern - Schulich School of Music, McGill University • link

2021, February 12
"Composing for the harp - Concepts, materials, transformations"
"Spatialization, Orchestration, Perception"
McGill University, Université de Montréal, Société des Arts Technologiques (SAT), French Institut.
IRCAM Forum in Montreal Guest Lecture | online

2021, February 10
Lecture @ Columbia University II
Invited by Zosha Di Castri
NYC, New York

July 13-21 2019
Lecture, masterclasses — Composer-in-residence, instructor
ilSUONO 2019 International Contemporary Music Academy
Città di Castello - IT

2018 November 19 18.00
IRCAM TALK: Presentation of the ongoing project "EROR”,
for improvised piano, electronics and video animation.
With the participation of the computer music designer Benjamin Lévy.
IRCAM, Paris-FR

2017-2018
Seminar in Composition, private composition courses, electroacoustic composition.
Distinguished Visiting Chair in Music, Acting Director of the Digital Composition Studios. McGill University, Montreal - CA

2017 November 14 14h
"A breathing sea" - Sound, Image, & Real-time in ‘Geografia Sonora’”
ARS MUSICA COLLOQUIUM - “Interaction Sound/Image in Real Time”
ARBA-ESA, DAM-Gallery, Rue du Midi 144, 1000 Brussels
Interview

2017 November 10
“Composition, Aurality, Machine”
Schulich School of Music, McGill University, Montreal - CA

2016 April 11 2016
MASTERCLASS - Presentation of works
"Atelier Contemporain de Suzanne Giraud 2015 - 2016"
Conservatoire de Paris CRR

2015 march 5-7 — Invited Composer
"Fonotopia : espaces transitoires et composition musicale"
Colloque international "Transitions des arts, transitions esthétiques : processus de subjectivation et des-croissances".
Université Paris 8, Musée d’art et d’histoire de Saint-Denis, Paris, FR

2014 september 15 • 2.30pm
ICMC | SMC 2014 Conference — Invited Composer
Athens GR
"Real-Time Composition of Sound Environments"
AbstractPaper

2013 November • 2pm-3pm
"Composition et tradition orale"
"Journées d'études université Paris 8 - Composition Méditerranée"
EA 1572 « Esthétique, musicologie, danse et création musicale »
Université Paris 8, Département de musicologie

2013 dec 3 • 13.30pm-16.30pm
"Vocal Mask : voix, composition musicale et traitement informatique"
DU: Voix et Symptômes - psychopathologie et clinique de la voix
Université Paris Diderot Paris 7 UFR d’Études Psychanalytiques

July 2012
"Virtual masks in the BACCHAE by Georgia Spiropoulos (ΙRCAM, 2010): exploring tragic vocality in Max/MSP environment"
By G. Spiropoulos & A. Georgaki
Paper published in SMC 2013 Proceedings - Stockholm SE.

| Talk - Public discussion - Music happening |
April 2 2012 - 12:30pm • IANOS
with Georgia Spiropoulos, Anastasia Georgaki, Theophilos Sotiriades
Athens - GR

| Talk - Public discussion |
March 31 2012 - 12pm • French Institut
with Georgia Spiropoulos, Anastasia Georgaki
Athens - GR

Presentation of works
The Felicja Blumental Center, Tel Aviv - ISR February 26 2010

"Composing for the saxophone"
Tel Aviv Conservatory, Tel Aviv - ISR
February 24 2010

"Aurality - Machines - Parasites : basic concepts and roots
for music composition"

Hochschule für Musik und Theater München, Munich - DE
January 23 2009

Presentation of works
IRCAM Cursus, Paris - FR
October 16 2008

"Voice - Computer - Parasite : KLAMA for choir & live electronics"
University of California Santa Barbara (UCSB).
Santa Barbara - USA
March 20 2008
program notes

March 5 2008
Lecture @ Columbia University I
Invited by George Lewis
NYC, New York

"KLAMA: the Voice from Oral Tradition in Death Rituals to a Work for Choir & Live Electronics"
Paper - Poster - Conference
4th Sound & Computing Music Conference, SMC 2007 -
Lefkada GR
Paper published in SMC 2007 Proceedings
July 11-13 2007

"À propos de SAKSTI"
IRCAM Forum, Résonances 2002

"Composing mixed music with new tools"
Universität für Musik und darstellende Kunst Wien et Kulturverein, "Alte Schmiede". Vienna 2002

"Le cas grec : de Sappho, à Kassia, à..."
Colloque : L'accès des femmes à l'expression musicale
IRCAM. Paris 2002