georgia spiropoulos
 
 
 
 
 

Selection

Georgia Spiropoulos, “EROR (The Pianist): The work as a laboratory of practices”. In "Political Ontologies of Music: Rethinking the Relationship between Music and Politics in the Twenty-First Century, ed. Luis Velasco-Pufleau. With the support of Institute of Musicology and Walter Benjamin Kolleg, University of Bern - Schulich School of Music, McGill University • link
(in progress).

Michèle Tosi, "Les mondes hybridés de Georgia Spiropoulos". ResMusica. November 14 2021.

Laurent Bergnach “Georgia Spiropoulos, œuvres variées avec électronique”. Anaclase, March 2022

Thierry Vagne, “Anthologie Georgia Spiropoulos”. Blog, December 7 2021.

Thanos Matzanas, Γεωργία Σπυροπούλου: «Το έργο μου έχει στο επίκεντρο του την κατάρρευση της πόλης, την απομόνωση και τον εγκλεισμό».
"My work is centred on the collapse of the city, isolation and confinement".
Νότες, παύσεις και λέξεις - blog
Georgia Spiropoulos : "My work is centred on the collapse of the city, isolation and confinement". November 10 2021.

Georgia Spiropoulos, “Transformations and Vocal Mask In "Bacchae" from the Composer's Point of View”. In Greek Tragedy And The Digital, ed. George Rodosthenous, Angeliki Poulou. London: Bloomsbury Methuen Drama. (in progress)

On “Geografia Sonora”
Nicole Marchand, “Georgia Spiropoulos”. In 32 grammes de pensée, essai sur l’imagination graphique, ed. Nicole Marchand-Zañartu and Jean Lauxerois. Paris: Médiapop éditions, Feb 7, 2020

Bastien Gallet, "Festival Manifeste 2019. Les jeux du son et de l’image". ARTPRESS. July 10 2019.

Pierre Gervasoni, "Le bruitisme sensuel de Georgia Spiropoulos". Le Monde. June 3 2019.

Michèle Tosi, "Le piano en chantier de Georgia Spiropoulos à Manifeste". ResMusica. June 12 2019.

Jérémie Szpirglas, "Eror : composer la cité. Entretien avec Georgia Spiropoulos". L'Etincelle, 2019

Jean-Guillaume Lebrun, "Portrait of Georgia Spiropoulos". In Compositrices, l’égalité en acte, Paris: CDMC/Editions MF, 2019

Meet Georgia Spiropoulos, interview
Ars Musica Festival, Alliance Française de Bruxelles-Europe
November 2016

Jérémie Szpirglas, "Entretien avec Georgia Spiropoulos. Sous le masque, l’électronique".
Concert-portrait at Centre Pompidou, Festival Manifeste IRCAM 2015

Jean-Noël von der Weid, "Orgies et bacchanales - Triomphe de l'excès"
Text on the "Bacchae"
5.11.2014, Editions Berg International – Paris

"Real-Time Composition of Sound Environments"
ICMC | SMC 2014 Conference - Athens GR.
AbstractPaper

"Infinite Sound" / "Le son à l'infini"
Jeanne Fayard on "Geografia Sonora".
"Cadavre Exquis" exhibition catalogue. Marseille-Provence Cultural Capital of Europe 2013.

"Virtual masks in the BACCHAE by G.Spiropoulos (ΙRCAM,2010): exploring tragic vocality in Max/MSP environment"
Georgia Spiropoulos, Anastasia Georgaki
SMC 2013 Proceedings - Stockholm SE.

"Techniques vocales dans la musique de tradition orale et dans la composition contemporaine. Le cas des « Bacchantes »".
"Vocal techniques in oral tradition and in contemporary composition.
The « Bacchae » paradigm".

M.A. at the School for Advanced Studies in the Social Sciences (EHESS)
Under the direction of Marc Chemillier

Georgia Spiropoulos, "KLAMA, the Voice from Oral Tradition in Death Rituals to a Work for Choir & Live Electronics"
SMC 2007 Proceedings - Lefkada GR.

Allen S. Weiss on "KLAMA"
Varieties of Audio Mimesis : Musical Evocations of Landscape, Errant Bodies Press, Berlin 2007
Excerpt

"Le cas grec : de Sappho, à Kassia, à..."
Colloque : L'accès des femmes à l'expression musicale
IRCAM. Paris 2002 (unpublished)

"Luciano Berio: Outis"
"Kathimerini" newspaper, Athens 1999.

"Music Anthology"
Transcription from oral sources of 120 traditional songs of Samos island. Published in Athens 1992.

- Translation in greek of Samuel's Baud-Bovy's essay : "Échelles anhémitoniques et échelles diatoniques dans la chanson populaire grecque" ,1989. (unpublished)